Aosdána, the national Irish arts organisation, unanimously passed a motion petitioning Minister Gormley over Tara / M3

Aosdána, the national Irish arts organisation, unanimously passed a motion at it's annual General Assembly, on Thursday, 8th May, agreeing with statements made by Seamus Heaney about the negative impact of running the M3 motorway through Tara.  The Irish Arts Council established Aosdána in 1981 to honour those artists whose work has made an outstanding contribution to the arts in Ireland, and to encourage and assist members in devoting their energies fully to their art. Aosdána members meet annually in a General Assembly, to elect new members, to review the affairs of the organisation and to discuss the position of the artist, and the arts in society. The following motion, proposed by Michael Holohan and seconded by Dermot Healy, was passed by the Assembly -

"That Aosdána supports the recent statement (in The Irish Times 1st/2nd March 2008) [below] by our fellow member Seamus Heaney that the surrounding archaeological landscape beside the ancient hill of Tara has been "desacralised" by the construction of the M3 motorway and consequently Aosdána calls upon the Minister for the Environment, Heritage and Local Government to strengthen the present legislation (National Monuments Act 2004) immediately in order to prevent the further destruction of our other national archaeological sites"

Further reading: Sunday Tribune - A portrait of the artists ignoring the elephant in the drawing room

Heaney claims motorway near Tara desecrates sacred landscape

The Irish Times - Saturday, March 1, 2008

POET AND Nobel laureate Séamus Heaney has described the M3 motorway as a ruthless desecration of the sacred landscape around the Hill of Tara, in a BBC documentary to be broadcast today at 11.30am on Radio Ulster, writes Frank McDonald, Environment Editor

In the same programme, Dr Jonathan Foyle, British chief executive of the World Monuments Fund, which placed Tara on its endangered sites list last year, likened the motorway to the destruction by Afghanistan's Taliban regime in 2001 of the Bamiyan Buddhas. In his interview with BBC reporter Diarmaid Fleming, Prof Heaney said the motorway "literally desecrates an area - I mean the word means to desacralise' and, for centuries, the Tara landscape and the Tara sites have been regarded as part of the sacred gound".

Referring to the 1916 Proclamation having summoned the Irish people "in the name of the dead generations", he said: "If ever there was a place that deserved to be preserved in the name of the dead generations from pre-historic times . . . it was Tara".  Prof Heaney added: "I suppose Tara means something equivalent to me to what Delphi means to the Greeks or maybe Stonehenge to an English person or Nara in Japan . . .It conjures up what they call in Irish dúchas, a sense of belonging a sense of patrimony, a sense of an ideal.  "The traces on Tara are in the grass, in the earth. They aren't spectacular like temple ruins in Greece but they are about origin, they're about beginning, they're about the mythological, spiritual source - something that gives the country its distinctive spirit."

He recalled that WB Yeats, George Moore and Arthur Griffith had written a letter to   The Irish Times (below) complaining that the British Israelites, who thought the Ark of the Covenant was buried at Tara, were desecrating a "consecrated landscape" by digging there.So, I thought to myself, if a few holes in the ground made by amateur archaeologists was a desecration, what's happening to that whole countryside being ripped up [for the M3] is certainly a much more ruthless piece of work," Prof Heaney said. According to Dr Foyle, the entire Tara complex "is the equivalent of Stonehenge, Westminster Abbey for its royal associations and Canterbury for its Christian associations all rolled into one" yet it was being destroyed "to shave 20 minutes off a journey time".

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